Ebook Gratuit Basic Mixers
Basic Mixers
Ebook Gratuit Basic Mixers
Basic Mixers . Lecture satisfait! Ceci est juste ce que nous voulons vous dire qui , comme la lecture donc beaucoup. Exactement ce qui vous concernent qui prétendent que la lecture ne sont la responsabilité? Ne vous inquiétez pas, vérifier l' habitude devrait être commencé à partir de certains facteurs particuliers. Parmi ceux - ci est lu par la responsabilité. Comme tout ce que nous désirons offrir ci - dessous, la publication Basic Mixers qualifié ne genre de publication requise. Vous pouvez profiter de cette publication Basic Mixers pour examen.
Nous vous proposons ici car il sera donc très facile pour vous d'accéder au service Web. Comme dans cette période flambant neuf, une grande technologie est utilisée sophisme en liant au filet. Pas tout type de problèmes à face, juste pour ce jour-là, vous pouvez vraiment garder à l'esprit ce guide est la meilleure publication très pour vous. Nous fournissons ici pour lire le plus efficace. Après avoir choisi exactement comment votre sentiment sera certainement, vous pouvez profiter de vérifier le lien et obtenir aussi le livre.
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En prenant ce livre est aussi simple. Visitez le lien web télécharger que nous avons donné. Vous pouvez vraiment sentir si complètement satisfait quand être membre de cette bibliothèque en ligne. Vous pouvez en outre trouver les autres collections de publications du monde entier. Encore une fois, nous proposons ci-dessous vous offrons non seulement dans ce genre de Basic Mixers Nous, les centaines de collections de guides de vieux au livre mis à jour flambant neuf dans le monde entier. Donc, vous ne pouviez pas hésiter à se laisser distancer en sachant cette publication. Eh bien, non seulement apprendre guide, mais comprendre exactement ce guide de fournitures.
Unusual book
This little hand-sized booklet is OK, and a good value for $7, but there is a much better option. My perspective is someone who bought a large mixer and needed to learn more about how to use it. I read through this book pretty quickly and it was somewhat helpful but I was still pretty lost and wasn't able to make any decisions. However, then I read Mixing Audio, Second Edition: Concepts, Practices and Tools by Roey Izhaki, specifically the chapter on "Mixing Consoles". At the end of the chapter, I understood far more than I had from "Basic Mixers" and pretty comprehensively knew how to setup my mixer (and that was one chapter!). So although this is a credible little book, I would only buy it if you were dirt broke and wanted to be informed, but not necessarily educated about mixing. Otherwise, I can't say enough good things about the Izhaki book and you should turn there instead.
Save your money and just get Paul White's 'Creative Recording 1 & 2' books.Unfortunately I found out (too late) that these 'Basic' series are a direct (and sometimes even a condensed) extract from the 'Creative Reading 1 & 2' books, which I already owned.Therefore the 'Basic' series is a VERY expensive way to get access to all of Paul White's great information found in 'Creative Reading 1 & 2' books.
I have been doing live sound for over 6 years and when i was asked to do a training session i bought this book to aid me in teaching others. It helped a lot it provided clear and concise answers and how to's. I wish i had this book back when i was starting out it would have saved me a lot of time and headache's. Now i recommend this book to any who wishes to work in both recording and live music productions.
This book seems to have some decent mixer information. I wish I could give the book a better rating, and the author seems to be making a genuine effort to pass along good information. Unfortunately there are errors and omissions which make it critically confusing for the reader. The author uses terms such as "punch-in" and "punch-out" without bothering to explain what they mean. I am a complete novice regarding mixers, so if you already know something about mixers and the recording process, you may be able to get past these errors. But if that's the case, you probably wouldn't be reading a book with the title "Basic Mixers".Chapter 1 has some solid foundational mixer information, but right off at the first figure, 1.1, it states that it shows a schematic of a mixer with separate mic and line gain controls, and separate sockets. This is wrong. The reader is left staring at the page wondering what is wrong with his eyes that he cannot see what he is being told is there. It is befuddling and it stops you in your tracks. Since you're a beginner reading this, you don't know it's wrong, and you wind up wasting time trying to fathom what cannot be fathomed. It's not a good start to have the reader told something IS, when it definitely is NOT. This is not a critical problem, but it is an annoying one.Unfortunately at Chapter 2 things get more problematic where the author addresses multi track recording and tape monitoring. The author mentions these are two of the more difficult topics to address, unfortunately he doesn't remedy the problem. In the third paragraph the author states:"When the recording is complete and you're mixing your recorded tracks, the input channels are free from the output from the multi track recorder."First, the author has not explained the difference between recording tracks initially and mixing them later.Secondly, suddenly he's made a jump whereby he's now talking about having outputs from a multi track recorder plugged into channels in the mixer - something he has not previously discussed. This is a procedural pedagogical error. The author has suddenly jumped ahead in the subject area leaving the reader scratching his head wondering "Wha-Huh? Tape machine plugged into mixer channels? When did this happen??"In this same chapter the author discusses setting up a "monitor mix" using the "monitor section" of a mixer. A monitor mix is used to play back tracks that you previously recorded so that you can play along to as you record additional tracks. For instance you may record yourself playing a guitar track, then subsequently record a vocal track to accompany it. You'll need the monitor mix in order to hear the previously recorded guitar track so that you can record the vocals in sync with the guitar.I surmise that most people buying this book are home recordists using basic units. Mine is a Beringer 12 channel unit, which seems pretty advanced for someone at such a basic level as I, as the most basic units start out with only 6 or so channels. It doesn't have a monitor section. Basic units don't have monitor sections. I've gathered from other sources that there is a way to set up a monitor mix using my mixer without a monitor section, but the author does not describe how to do this. So, even though this book is titled "Basic Mixers", it doesn't describe how to accomplish this essential task with a *basic mixer*!To summarize, if you're trying to get a first start with a basic Beringer or Mackie mixer with 16 or fewer channels, this book will describe recording in a way that doesn't apply to your situation at all - recording with a monitor section - because your mixer will simply not have a monitor section. This will leave you frustrated because you won't be able to set up a monitor mix in the way the author describes, and he doesn't describe how to do so on a basic mixer without a monitor section. The book is geared towards those with access to more high end professional equipment with features not found on basic units. It should have been titled "Professional Mixer Basics", not "Basic Mixers".For what it's worth, I'll add as a footnote that I tried to contact the publisher about these problems and found that the web site listed in the book, Sanctuary Publishing dot Com, was inoperable.
It has some interesting ideas I've put into practice and have shared with others. I enjoy the content in this book. There are interesting concepts I have not considered.
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